Artist: Shorty Jangala Robertson | Title: Ngapa Jukurrpa (Water dreaming) - Puyurru | Year: 2008 | Medium: synthetic polymer on linen | Dimensions: 183 x 122 cm
PROVENANCE
Warlukurlangu Artists, NT Cat No. 917/08
Cooee Art Gallery, NSW
ARTWORK STORY
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are water soakages or naturally occurring wells. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. It travelled across the country, with the lightning striking the land. This storm met up with another storm from Wapurtali, to the west, was picked up by a ëkirrkarlaní
(brown falcon [Falco berigora]) and carried further west until it dropped the storm at Purlungyanu, where it created a giant soakage. At Puyurru the bird dug up a giant snake, ëwarnayarraí (the ërainbow serpentí) and the snake carried water to create the large lake, Jillyiumpa, close to an outstation in this country. This story belongs to Jangala men and Nangala women.
In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In many paintings of this Jukurrpa curved and straight lines represent the ëngawarraí (flood waters) running through the landscape. Motifs frequently used to depict this story include small circles representing ëmuljuí (water soakages) and short bars depicting ëmangkurduí (cumulus & stratocumulus clouds)
Artist Profile
COMMUNITY/ REGION
Yuendumu, NT
LANGUAGE GROUP
Warlpiri
BIOGRAPHY
Shorty Jangala Robertson was born at Jila (Chilla Well), a large soakage and claypan north west of Yuendumu. He lived a nomadic hunter-gatherer lifestyle with his parents, older brother and extended Warlpiri family. They travelled vast distances across desert country, passing through Warlukurlangu, south west of Jila and Ngarlikurlangu, north of Yuendumu, visiting Jangalas, his skin brothers.
His childhood memories consisted of stories associated with the Conniston Massacre of Aboriginal people and close to Jila, families were shot at Wantaparri. Shorty Jangala Robertson had virtually no contact with white fellas during his youth but remembered leaving Jila for Mt Theo to hide from being shot. His father died at Mt Theo, after which Shorty and his mother moved to Mt Doreen Station, and subsequently the new settlement of Yuendumu. During World War II, the army took people from Yuendumu to the other Warlpiri settlement at Lajamanu. Shorty was taken and separated from his mother, however, she came to get him on foot and together they traveled hundreds of miles back to Chilla Well. Drought, food and medical supplies forced Shorty and his family back to Yuendumu from time to time.
His working life was full of adventure and hard work for different enterprises in the Alice Springs Yuendumu area. He finally settled at Yuendumu in 1967 after the Australian Citizen Referendum. It is extraordinary in all his travels and jobs over his whole working life, that he escaped the burgeoning and flourishing Central Desert art movement of the 1970s and 1980s. Thus Shorty's paintings are fresh, vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) was vital, yet upholding the Warlpiri tradition. He lived at Yuendumu with his wife and fellow artist Lady Nungarrayi Robertson until he passed away in 2014.
© Adrian Newstead
PROVENANCE
Warlukurlangu Artists, NT Cat No. 917/08
Cooee Art Gallery, NSW
ARTWORK STORY
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are water soakages or naturally occurring wells. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. It travelled across the country, with the lightning striking the land. This storm met up with another storm from Wapurtali, to the west, was picked up by a ëkirrkarlaní
(brown falcon [Falco berigora]) and carried further west until it dropped the storm at Purlungyanu, where it created a giant soakage. At Puyurru the bird dug up a giant snake, ëwarnayarraí (the ërainbow serpentí) and the snake carried water to create the large lake, Jillyiumpa, close to an outstation in this country. This story belongs to Jangala men and Nangala women.
In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In many paintings of this Jukurrpa curved and straight lines represent the ëngawarraí (flood waters) running through the landscape. Motifs frequently used to depict this story include small circles representing ëmuljuí (water soakages) and short bars depicting ëmangkurduí (cumulus & stratocumulus clouds)
Artist Profile
COMMUNITY/ REGION
Yuendumu, NT
LANGUAGE GROUP
Warlpiri
BIOGRAPHY
Shorty Jangala Robertson was born at Jila (Chilla Well), a large soakage and claypan north west of Yuendumu. He lived a nomadic hunter-gatherer lifestyle with his parents, older brother and extended Warlpiri family. They travelled vast distances across desert country, passing through Warlukurlangu, south west of Jila and Ngarlikurlangu, north of Yuendumu, visiting Jangalas, his skin brothers.
His childhood memories consisted of stories associated with the Conniston Massacre of Aboriginal people and close to Jila, families were shot at Wantaparri. Shorty Jangala Robertson had virtually no contact with white fellas during his youth but remembered leaving Jila for Mt Theo to hide from being shot. His father died at Mt Theo, after which Shorty and his mother moved to Mt Doreen Station, and subsequently the new settlement of Yuendumu. During World War II, the army took people from Yuendumu to the other Warlpiri settlement at Lajamanu. Shorty was taken and separated from his mother, however, she came to get him on foot and together they traveled hundreds of miles back to Chilla Well. Drought, food and medical supplies forced Shorty and his family back to Yuendumu from time to time.
His working life was full of adventure and hard work for different enterprises in the Alice Springs Yuendumu area. He finally settled at Yuendumu in 1967 after the Australian Citizen Referendum. It is extraordinary in all his travels and jobs over his whole working life, that he escaped the burgeoning and flourishing Central Desert art movement of the 1970s and 1980s. Thus Shorty's paintings are fresh, vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) was vital, yet upholding the Warlpiri tradition. He lived at Yuendumu with his wife and fellow artist Lady Nungarrayi Robertson until he passed away in 2014.
© Adrian Newstead
