- Provenance
- Gundooee Aboriginal Art, Alice Springs, NT
Cooee Aboriginal Art Gallery, NSW
Accompanied by a certificate of authenticity from Gundooee Aboriginal Art, photographs of the artist creating the work and a hand written story.
- Exhibited
- Re-Collected, Cooee Aboriginal Art Gallery, NSW, May 2013
Linda Syddick Napaltjarri – The Windmill and the Witchdoctor, Cooee Aboriginal Art Gallery, Bondi Beach NSW, 2006
Black Art White Walls – The Anne and Adrian Newstead Collection (Australian regional gallery tour):
Grace Cossington Smith Gallery, Wahroonga NSW, 23 January – 30 March 2014
Wagga Wagga Regional Gallery, Wagga Wagga NSW, 7 April – 12 June 2014
Walker Street Gallery, Dandenong Vic, 4 September – 8 October 2014
Moree Plains Gallery, Moree NSW, 1 December 2014 – 29 January 2015
Manning Regional Gallery, Taree NSW, 30 January – 15 March 2015
Burrinja Regional Gallery, Upwey Vic, 4 July – 28 September 2015
Brunswick Regional Gallery, Brunswick Vic, 16 October – 8 November 2015
Caloundra Regional Gallery, Caloundra Qld, 20 January – 28 February 2016
O Tempo dos Sonhos – The Time of Dreaming (Arte Aborígene Contemporânea da Austrália), Caixa Cultural Foundation & Casa Fiat de Cultura, touring 2018 – 2024:
Brazil: São Paulo, Rio de Janeiro, Belo Horizonte, Fortaleza, Curitiba, Brasília, Salvador, Recife, Uberlândia
Argentina: Buenos Aires, Córdoba
Uruguay: Montevideo
- Artwork story
- The three spirits depicted here are those of three brothers who passed away in the Gibson Desert, long before the Pintupi people left it to reside in missions and out stations. In the ancient tradition, upon their death, their bodies were firstly put in a shallow depression in the sand and covered with tree branches. Later, after ceremonies each body was placed in a tree and once again covered with tree branches. According to ancient belief, the spirit left the body and came to reside in a tree.
And even today, among the trees is where spirits can be seen by Aboriginal people, always at night time. They look like cotton wool. They can only be seen through the neuro-visual pathway of Aboriginal people - white people see nothing.
The background lines indicate the rows and rows of high vegetated sand hills in the Pintupi Homeland. The Pintupi country covered a very large area, centred on Lake Mackay, which straddles the WA - NT border.